Choose images that answer a question
Before taking photographs, decide what each image needs to prove. A portrait can show who will attend the appointment. A workshop image can show capability. A finished project can show the standard and type of work.
Images chosen only to fill empty space often feel weak because they have no clear job.
Build a practical shot list
- The owner and customer-facing team
- The business premises or working environment
- The service being carried out safely
- Details that show finish or craftsmanship
- A small number of strong completed projects
- Vehicles, equipment or facilities when relevant
- The customer arrival or reception experience
- Horizontal and vertical versions for different layouts
Real photographs usually carry more trust
Stock photography can support an abstract idea, but it should not imply that a model is an employee, a borrowed building is the premises or a staged result is the company’s work.
A slightly imperfect genuine image can be more persuasive than a flawless stock photograph when it shows the real person or process clearly.
Show context, not only close-ups
A close-up of a finished detail may look impressive but leave the customer unsure what was completed. Combine details with wider images and a short caption explaining the job.
For project work, record the starting position, key stages and final result consistently. That creates material for case studies rather than an unexplained gallery.
Get permission and protect privacy
Obtain permission before publishing customers, homes, number plates, documents or identifiable private information. For children, patients or sensitive services, the standard should be particularly careful.
Store the permission record and agree where images may be used. Removing metadata and blurring a detail does not replace consent.
Prepare images for the website
Large camera files should be resized and compressed rather than uploaded unchanged. Use descriptive filenames and meaningful alternative text when the image contributes information.
Do not force every image into the same crop. The website should preserve the important subject and use an art direction that works on phones as well as wide screens.
A small strong library is enough to begin
Ten useful images can support a focused website better than one hundred average ones. Prioritise a recognisable portrait, the working environment, core services and two or three pieces of relevant work.
Add new photographs as projects are completed. A living evidence library becomes more valuable than a one-day attempt to stage everything.
A practical next step
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